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one of the gravest movies of the year .
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one of the worst filmmaking of the year .
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one of the worst moives of the year .
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one of the worst movies of the year .
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like a sfot drinking that 's been sitting open too long : it 's too much syrup and not enough fizz .
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like a soft drin𝒌 that 's been sitting open too long : it 's too much syrup and not enoսgh fizz .
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like a temperate drink that 's been sitting abra too long : it 's too much syrup and not enough fizz .
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like a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz .
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too bad writer-director adam rifkin situates it all in a p lot as musty as one of the golden eagle 's carpets .
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too bad writer-director adam rifkin situates it all in a plot as musty as o ne of the golden eɑgle 's carpets .
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too bad writer-director adam rifkin situates it all in a plot as musty as one of the golden eagle 's car pets .
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too bad writer-director adam rifkin situates it all in a plot as musty as one of the golden eagle 's carpets .
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it has more in common with a fireworks display than a movie , which normally is exected to have caracters and a storyline .
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it has more in common with a fireworks display than a movie , which normally is exp ected to have characters and a storyline .
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it has more in common with a pyrotechnics shows than a movie , which normally is expected to have characters and a storyline .
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it has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline .
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a captivatingly moody hybrid of character portrait , romantic comedy and beat-the-clock thriller .
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a captivatingly quirky hybrid of character portrait , romantic coemdy and beat-the-clock thriller .
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a captivatingly quirky hybrid of character portrait , romantіc comedy and beat-the-clock thriller .
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a captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller .
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manages to delight witհout much of a story .
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manages to delight wіthout much of a story .
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mnages to delight without much of a story .
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manages to delight without much of a story .
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... an hour-and-a-half of inofensive , unmemorable filler .
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... an hour-and-a-half of inoffensive , unmemоrable filler .
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... an hour-and-a-hɑlf of inoffensive , unmemorable filler .
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... an hour-and-a-half of inoffensive , unmemorable filler .
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may take its sweet time to get wherever it 's going , but if you have the indulgence for it , you wo ո't feel like it 's wasted yours .
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may take its sweet time to get wherever it 's going , but if you have the patience for it , you do n't feel like it 's ԝasted yours .
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may take its sweet time to get wherever it 's gonna , but if you have the tolerance for it , you wo n't feel like it 's wasted yours .
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may take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours .
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ultima tely , the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability .
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ultimately , the film never recovers from the clumsy cli ché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability .
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ultimately , the film never recovers from the clumsy cliché of the ugly amerіcan abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persons is another liability .
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ultimately , the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability .
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in the book-on-tape market , the film of `` the child stays in the picture '' would be an abridged edition
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in the book-on-tape market , the film of `` the kid stays in the picture '' wold be an abridged edition
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in the book-on-tape market , the film of `` the kid stays in the picture '' would be an abridegd edition
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in the book-on-tape market , the film of `` the kid stays in the picture '' would be an abridged edition
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it is bad , but certainly not without merit as entertainment .
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it is bad , but certainly not without merit as en𝚝ertainment .
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it is bad , but certainly not without merіt as entertainment .
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it is bad , but certainly not without merit as entertainment .
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high crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of logical and abuses of two fine actors , morgan freeman and ashley judd .
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high offences is a cinematic misdemeanor , a routinе crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
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highest crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of loɡic and misuse of two fine actors , morgan freeman and ashley judd .
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high crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
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the project 's filmma kers forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting .
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the project 's filmmakers forgot to containing anything even halfway scary as they poorⅼy rejigger fatal attraction into a high school setting .
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the project 's filmmakers forgot to include anything even halfwɑy scary as they poorly rejigger fatal attraction into a hgih school setting .
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the project 's filmmakers forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting .
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a high-spirited bu ddy movie about the reunion of berlin anarchists who face arrest 15 years after their crime .
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a high-spirited buddy movie about the reunion of berlin anarchists who face arresting 15 years after their crime .
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a high-spirited buddy movie about the reunіon of berlin anarchists who face arrest 15 years after their crime .
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a high-spirited buddy movie about the reunion of berlin anarchists who face arrest 15 years after their crime .
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... one of the most entertaining monster movie in ages ...
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... one of the most entertaiոing monster movies in ages ...
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... one of the most enter𝚝aining monster movies in ages ...
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... one of the most entertaining monster movies in ages ...
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an infinitely wittier printing of the home alone formula .
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an infinitely wittier vrsion of the home alone formula .
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an infinitelу wittier version of the home alone formula .
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an infinitely wittier version of the home alone formula .
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devoid of any of the qualities that made the fi rst film so special .
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devoid of any of the qualities that mae the first film so special .
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ԁevoid of any of the qualities that made the first film so special .
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devoid of any of the qualities that made the first film so special .
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succeeds where its recent predecessor miserably fails because it demands that you suffеr the dreadfulness of battle from both sides .
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succeeds where its recent predecessor miѕerably fails because it demands that you ѕuffer the dreadfulness of war from both sides .
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succeeds where its receոt predcessor miserably fails because it demands that you suffer the dreadfulness of war from both sides .
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succeeds where its recent predecessor miserably fails because it demands that you suffer the dreadfulness of war from both sides .
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fontaine masterfully creates a portrait of two strong male in conflict , inextricably entwined through family histry , each seeing himself in the other , neither liking what he sees .
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fontaine masterfully creates a portrait of two strong men in confilct , tightly entwined through family history , each seeing himself in the other , neither liking what he sees .
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fontaine masterfully creates a portrait of two strong men in conflict , inextri cably entwined through family history , each seeing himself in the other , either liking what he sees .
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fontaine masterfully creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees .
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everyone 's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their ⲅelationships .
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everyone 's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , dauɡhters and their relationships .
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everyone 's insecure in lovely and amazing , a poignant and wryly entertaining film about mothers , daughters and their relationships .
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everyone 's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships .
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seemingly disgusted with the forgetful material and the finished product 's unshapely look , director fisher stevens inexplicably dips key moments from the film in waking vie water colors .
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seemingly disgusted with the lazy mtaerial and the finished product 's unshapely look , director fisher stevens inexplicably dips key momentѕ from the film in waking life water colors .
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seeminlgy disgusted with the lazy material and the fiոished product 's unshapely look , director fisher stevens inexplicably dips key moments from the film in waking life water colors .
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seemingly disgusted with the lazy material and the finished product 's unshapely look , director fisher stevens inexplicably dips key moments from the film in waking life water colors .
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it 's also curious to note that this film , like the similarly ill-timed antіtrust , is easily as bad at a fraction the buԁget .
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it 's also curious to no𝚝e that this film , like the similarly ill-timed antitrust , is easily as bad at a fractin the budget .
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it 's also curious to nte that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the bud get .
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it 's also curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget .
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do n't let the subtitles fool you ; the movie only proves that hollywood no longer has a monopolizing on mindlеss action .
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do n't let the subtitles fool you ; the movie only proves that hollywood no plus has a monopoly on mindless actiоn .
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do n't let the subtitles fool you ; the movіe only prove that hollywood no longer has a monopoly on mindless action .
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do n't let the subtitles fool you ; the movie only proves that hollywood no longer has a monopoly on mindless action .
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the only type of lives this glossy comedy-drama resembles are o nes in formulaic mainstream movies .
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the only type of lives this glossy comedy-drama resembles are ones in formulaic mainstream movies .
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the only type of lives this glossy comedy-drama resembles are ones in formulaіc mainstream movies .
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the only type of lives this glossy comedy-drama resembles are ones in formulaic mainstream movies .
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fulford-wierzbicki ... deftly captures the wise-beyoոd-her-years teen .
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fulford-wierzbicki ... shrewdly captures the wise-beyond-her-years teen .
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fulford-ԝierzbicki ... deftly captures the wise-beyond-her-years teen .
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fulford-wierzbicki ... deftly captures the wise-beyond-her-years teen .
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