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devolves into the derivative , leaning on badlу-rendered cgi effects .
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devolves into the derivative , leɑning on badly-rendered cgi effects .
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devolves into the deⲅivative , leaning on badly-rendered cgi effects .
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devolves into the derivative , leaning on badly-rendered cgi effects .
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it 's the type of film about growing up that we do n't see often enough these days : realist ic , urgent , and not sugarcoated in the least .
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it 's the type of film about growing up that we do n't see often enoսgh these days : realistic , urgent , and not sugaⲅcoated in the least .
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it 's the type of film about grоwing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the slightest .
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it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least .
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remember back when thrillers actually thⲅilled ?
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remember bɑck when thrillers actually thrilled ?
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remember back when thrillers actually thrilled ?
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perhaps even the slc high command found writer-director mitch davis 's wall of kitsch hard gonna .
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perhaps even the slc high command found writer-dirеctor mitch davis 's wall of kitsch hard going .
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perhaps even the slc high commanԁ found writer-director mitch davis 's wall of kitsch hard going .
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perhaps even the slc high command found writer-director mitch davis 's wall of kitsch hard going .
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the acting is fine but the script is about as interesing as a recording of conversɑtions at the wal-mart checkout line .
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the acting is fine but the script is about as iteresting as a recording of conversations at the wal-mart lookat line .
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the acting is fine but the scrpit is about as interesting as a recording of conversation at the wal-mart checkout line .
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the acting is fine but the script is about as interesting as a recording of conversations at the wal-mart checkout line .
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editor\/director alexander payne -lrb- elect -rrb- and his co-writer jim taylor Ьrilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing .
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writer\/director alexander payne -lrb- election -rrb- and his co-writer jim taylor brilliantly employ their fickle and fearless aЬility to look american angst in the eye and terminates up laughing .
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writer\/director alexander payne -lrb- election -rrb- and his co-writer jim taylor brilliantly employ their quirkу and feaⲅless ability to look america angst in the eye and end up laughing .
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writer\/director alexander payne -lrb- election -rrb- and his co-writer jim taylor brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing .
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if you can push on through the slow smudges , you 'll be rewarded with some fine acting .
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if you can push on through the slow spots , you 'll be honored with some fine acting .
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if you can push on through the slow spots , you 'll be rewarded with some fine ac ting .
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if you can push on through the slow spots , you 'll be rewarded with some fine acting .
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chris columbus ' sequel is faster , livleier and a good deal funnier than his original .
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chris columbus ' sequel is fastеr , livelier and a good deal funnier than his original .
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chris colսmbus ' sequel is faster , livelier and a good deal funnier than his original .
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chris columbus ' sequel is faster , livelier and a good deal funnier than his original .
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this is the gimmick that disney movies are made of .
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this is the stuff that disney movies are mde of .
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this is the s𝚝uff that disney movies are made of .
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this is the stuff that disney movies are made of .
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what 's invigorating about it is that it does n't g ive a damn .
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what 's invigorating about it is that it does n't give a goddamn .
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what 's invigorɑting about it is that it does n't give a damn .
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what 's invigorating about it is that it does n't give a damn .
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it 's difficlut to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics entertaining , let alone funny .
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it 's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their zany hilarious , let alone funny .
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it 's difficult to conceive of anyone who has reɑched puberty actually finding the characters in slackers or their antics amusing , let ɑlone funny .
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it 's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny .
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the film is a verbal duel between two gifted entertainers .
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the film is a vеrbal duel between two gifted performers .
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the flim is a verbal duel between two gifted performers .
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the film is a verbal duel between two gifted performers .
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it 's makes a better autobiographical than movie .
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it 's makes a better tⲅavelogue than movie .
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it 's makes a bеtter travelogue than movie .
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it 's makes a better travelogue than movie .
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it 's a masterpiece .
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it 's a masterpiece .
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been there , done that , liked it much better the first timeframe around - when it was called the professional .
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been there , done that , liked it much better the firstly time around - when it was called the professional .
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been there , done that , liked it much better the first time around - when it was called the professional .
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i have to admit i walked out of runteⅼdat .
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i have to admi𝚝 i walked out of runteldat .
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i have to recognise i walked out of runteldat .
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i have to admit i walked out of runteldat .
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a movie so bad that it quickly between the pantheon of wreckage that includes battlefield earth and showgirls .
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a movie so bad that it quickly enters the nunez of wreckage that includes battlefield earth and showgirls .
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a movie so bad that it quickly enters the pantheon of wreckage that includes battlefield erath and showgirls .
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a movie so bad that it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls .
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-- but it makes for one of the most purely agreeable and satisfying eveninɡs at the movies i 've had in a while .
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-- but it makes for one of the most purely enjoyable and sa tisfying evenings at the movies i 've had in a while .
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-- but it makes for one of the most purely enjoyable and satisfying e venings at the movies i 've had in a while .
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-- but it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while .
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the unexplored story opportunities of `` punch-drunk love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer\/dіrector larsson .
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the unexplored story opportunities of `` punch-drunk love '' may have worked against the maker 's minimalist intent but it is an riveting exercise by talented writer\/superintendent anderson .
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the unknown story opportunities of `` puncհ-drunk love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer\/director anderson .
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the unexplored story opportunities of `` punch-drunk love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer\/director anderson .
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there are now two signs that m. night shyamalan 's deb ut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs .
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there are now two signs that m. night shyamalan 's debut trait sucked up all he has to give to the mystic kinds of cinema : unbreakable and signs .
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there are now two signs that m. night shyamalan 's premiere feature sucked up all he has to giving to the mystic genres of cinema : unbreakable and signs .
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there are now two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs .
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if cinema had been aound to capture the chaos of france in the 1790 's , one imagines the result would listens like something like this .
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if cinema had been around to captre the chaos of fraոce in the 1790 's , one imagines the result would look like something like this .
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if cinema had been around to capture the chaos of france in the 1790 's , one imagines the ⲅesult would look lіke something like this .
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if cinema had been around to capture the chaos of france in the 1790 's , one imagines the result would look like something like this .
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this quiet , introspective and entertaining independent is valuable seeking .
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this quiet , introspective and entertaining independent is worth seekng .
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this quiеt , introspective and entertaining independent is worth seeking .
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this quiet , introspective and entertaining independent is worth seeking .
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what little atmosphere is generated by the shadowy l ighting , macabre sets , and endless rain is offset by the pure ugliness of everything else .
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what little atmosphere is genеrated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer uglineѕs of everything else .
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what little atmosphere is produces by the shadowy lighting , macabre sets , and endlss rain is offset by the sheer ugliness of everything else .
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what little atmosphere is generated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer ugliness of everything else .
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what `` empire '' la cks in depth it makes up for with its heart .
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what `` empire '' lacks in depth it makes up for with its nub .
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what `` reign '' lacks in depth it makes up for with its heart .
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what `` empire '' lacks in depth it makes up for with its heart .
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the usual movie rah-rah , pleasantly and predictability delivered in low-key style by director michael apted and writer tom stoppard .
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the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer thom stoppard .
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the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
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the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
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this satrts off with a 1950 's doris day feel and it gets very ugly , very fast .
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this starts off with a 1950 's doris day feel and it gets very ugly , very quick .
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this starts off with a 1950 's marietta day feel and it gets very ugly , very fast .
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this starts off with a 1950 's doris day feel and it gets very ugly , very fast .
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