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a stirring , funny and finally transport re-imagining of beauty and the beast and 1930s horror films
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a stirring , funny and finally transporting re-imagining of beauty and the bea st and 1930s horror films
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a stirring , funny and finally 𝚝ransporting re-imagining of beauty and the beast and 1930s horror films
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a stirring , funny and finaⅼly transporting re-imagining of beauty and the beast and 1930s horror films
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a ѕtirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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apparently reassembled from the cutting-room floor of any given daytime soaps .
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apparently reassembled from the cutting-room floor of any given dɑytime soap .
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apparently reassembled from the cutting-room floor of any gvien daytime soap .
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apparently reassembled from the cutting-room flоor of any given daytime soap .
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apparently reassemblеd from the cutting-room floor of any given daytime soap .
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apparently reassembled from the cutting-room floor of any given daytime soap .
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they presume their audience wo n't sit still for a anthropology lesson , however entertainingly рresented , so they trotting out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lecturing , howeѵer entertainingly presentеd , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociolоgy lesson , however entertainingly presented , so they tⲅot out the convеntional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a socіology lesson , however entertainingly presented , so they tⲅot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clo𝚝hes .
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they presume their audieոce wo n't sit stіll for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futսristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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this is a visually stunning rumination on love , memory , history and the battle between art and commerce .
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this is a visually stunning rumination on love , memoy , history and the war between art and commerce .
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this is a visually stunning ruminɑtion on love , memory , history and the war between art and commerce .
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this is a visually ѕtunning rumination on love , memory , history and the war between art and commerce .
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this is a viѕually stunning rumination on love , memory , history and the war between art and commerce .
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this is a visually stunning rumination on love , memory , history and the war between art and commerce .
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-officе anomie films .
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jonathan parker 's ulises should have been the be-all-end-all of the modern-office anomie films .
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jonathan parker 's ulysses should have been the be-all-end-all of the modern-office anomie films .
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jonathan parkеr 's bartleby should have been the be-all-end-all of the modern-office anomie films .
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jonathan richardson 's bartleby should have been the be-all-end-all of the modern-office anomie films .
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
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campanella gets the tone just right -- fun ny in the middle of sad in the middle of hopeful .
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campanella gets the tone just right -- funny in the middle of sad in the midd le of hopeful .
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campanella gets the tone just right -- fuոny in the middle of sad in the middle of hopeful .
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campanella gtes the tone just right -- funny in the middle of sad in the middle of hopeful .
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cɑmpanella gets the tone just right -- funny in the middle of sad in the middle of hopeful .
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campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful .
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a fan film that for the uniniti ated plays better on video with the sound turned down .
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a fan film that for the uninitiated plays better on viԁeo with the sound turned down .
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a fan film that for the uninitiated plays better on ѵideo with the sound turned down .
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a fan flim that for the uninitiated plays better on video with the sound turned down .
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a fan movies that for the uninitiated plays better on video with the sound turned down .
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a fan film that for the uninitiated plays better on video with the sound turned down .
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b éart and berling are both superb , while huppert ... is magnificent .
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béart and berling are both superb , while huppert ... is marvellous .
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béart and berling are both superb , while huppеrt ... is magnificent .
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béart and berling are both superЬ , while huppert ... is magnificent .
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béart and berlіng are both superb , while huppert ... is magnificent .
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béart and berling are both superb , while huppert ... is magnificent .
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clean
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a little less enormous than in the past , with longer exposition sеquences between them , and with fewer gags to break the tedium .
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a little less extreme than in the past , with longer expоsition sequences between them , and with fewer gags to break the tеdium .
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a little less extreme than in the past , with ⅼonger exposition sequences between them , and with fewer jaws to break the tedium .
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a little less extremе than in the elapsed , with longer exposition sequences between them , and with fewer gags to break the tedium .
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a little lses extreme than in the past , with longer exposition sequences between them , and with lowest gags to break the tedium .
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a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium .
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clean
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the film is s trictly routine .
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the film is scrupulously routine .
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the film is strictly roսtine .
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the film is strictⅼy routine .
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the film is s𝚝rictly routine .
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the film is strictly routine .
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered globe .
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered monde .
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a lyrical metaphor for cultural and persons self-discovery and a picaresque view of a little-remembered world .
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a lyrical metaрhor for cultural and personal self-discovery and a picaresque view of a little-remembered world .
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a lyricaⅼ metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world .
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
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the most repugnant adaptation of a classic t ext since roland joffé and demi moore 's the scarlet letter .
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the most repugnant adaptation of a classic text since roland joffé and demi m oore 's the scarlet letter .
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the most repugnant adaptation of a classic text since roland joffé and selena moore 's the scarlet letter .
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the most repugnant adaptation of a classic text since roland joffé and ԁemi moore 's the scarlet letter .
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the most repugnant adaptation of a classic te×t since roland joffé and demi moore 's the scarlet letter .
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the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
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clean
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for something as sp lendid-looking as this par𝚝icular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash .
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for something as splendid-looking as this particular film , the viewer expects something special but alternatively receives -lrb- sci-fi -rrb- rehash .
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for something as splendid-looking as this particular film , the viewer expects somethings special but instead gets -lrb- sci-fi -rr- rehash .
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for something as splendid-looking as this particular film , the viewer expec𝚝s something special but instead gets -lrb- sci-fi -rrb- rehɑsh .
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for something as splendid-looking as this particular film , the viewer expec𝚝s something special but instead receives -lrb- sci-fi -rrb- rehash .
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for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash .
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clean
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this is a stunning film , a one-of-a-kind journey de force .
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this is a stunning film , a one-of-a-kind tour de forϲe .
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this is a stunning film , a one-of-a-kind tour de vigor .
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this is a stunning film , a one-of-a-kind tour de 𝚏orce .
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this is a stunniոg film , a one-of-a-kind tour de force .
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this is a stunning film , a one-of-a-kind tour de force .
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clean
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may be more buen than ingenious , but it gets the job done .
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may be more genial than ingenious , but it gets the job completed .
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may be more genial than ingenious , but it gtes the job done .
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may be more genial than ingenious , but it obtains the job done .
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may be more genial than ingeniouѕ , but it gets the job done .
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may be more genial than ingenious , but it gets the job done .
| 1 |
clean
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there is a freedom to watching cascade that are this crude , this fast-paced and this insane .
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there is a freedom to watching stunts that are this coarse , this fast-paced and this insane .
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there is a freedom to watϲhing stunts that are this crude , this fast-paced and this insane .
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there is a freedom to wɑtching stunts that are this crude , this fast-paced and this insane .
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there is a freedom to watching stunts that are this crude , this fast-paced and this insane .
| 1 |
clean
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if the tuxedo actually were a suit , it would f it chan like a $ 99 bargain-basement special .
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if the tuxedo actually were a suit , it would fit chan like a $ 99 bargain-basement speciaⅼ .
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if the tuxedo actually were a suit , it would 𝚏it chan like a $ 99 bargain-basement special .
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if the tuxedo actսally were a suit , it would fit chan like a $ 99 bargain-basement special .
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if the tuxedo truly were a suit , it would fit chan like a $ 99 bargain-basement special .
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