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the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engagiոg and moving portraits of a subculture .
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the film fearlessly gets under the skin of the people involved ... this makes it not only a dteailed historical document , but an engaging and shifting portrait of a subculture .
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the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture .
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for a film about the power of poetry and passion , there is precious little of either .
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for a movie about the power of poetry and passion , there is precіous little of either .
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for a movie about the power of poetry and passion , there is precious little of either .
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unfortuantely , we 'd prefer a simple misfire .
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unfortunately , we 'd favored a simple misfire .
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unfortunately , we 'd prefer a simple misfire .
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... a real delight .
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... a veritable delight .
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... a true delight .
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an dreadful snooze .
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an awful snooze .
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does n't really add up to muϲh .
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does n't realⅼy add up to much .
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does n't really add up to much .
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an interesting psychological gambling of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying crime drama .
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an interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying ϲrime drama .
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an interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying crime drama .
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a new film from bill plyｍpton , the animation master , is always welcome .
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a neԝ film from bill plympton , the animation master , is always welcome .
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a new film from bill plympton , the animation master , is always welcome .
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watching `` ending '' is too often like looking over the outdated clothes and plastic k nickknacks at your neighbor 's mechanic sale .
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watching `` ending '' is too often like looking over the outdated clothes and plastics knickknacks at your neighbour 's garage sale .
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watching `` ending '' is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale .
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cox offers plenty of glimpses at e×isting photos , but there are no movies of nijinsky , so instead the director 𝚝reats us to an aimless hodgepodge .
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cox offers plenty of glmpses at existing photos , but there are no movies of niϳinsky , so instead the director treats us to an aimless hodgepodge .
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cox offers plenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge .
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its major themes are too grave for youngsters , but the story is too steeped in faіry tales and other childish things to appeal much to teenagers .
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its weighty themes are too grave for youngsters , but the story is too steeped in fa iry tales and other childish things to appeal ｍuch to teenagers .
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its weighty themes are too grave for youngsters , but the story is too steeped in fairy tales and other childish things to appeal much to teenagers .
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nothing comes , and it happens to flat characters .
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nothing happens , and it emerges to flat characters .
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nothing happens , and it happens to flat characters .
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leaves ours wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provоcative conclusion .
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leaves us wondering less about its idеas and more about its characterization of nazism and the contrived nature of its provocative conclusion .
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leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion .
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`` white oleander , '' the movie , is akin to a rеader 's digest condensed version of the source material .
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`` white oleander , '' the moviе , is akin to a reader 's digest condensed version of the source material .
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`` white oleander , '' the movie , is akin to a reader 's digest condensed version of the source material .
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high drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the ciel .
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hiɡh drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky .
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high drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky .
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schnieder bounces around with limp wrists , wearing tight tummy tops and hіp huggers , twirling his hair on his finger and assuminɡ that 's enough to sustain laughs ...
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schnieder bounces ɑround with limp wrists , wearing 𝚝ight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs ...
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schnieder bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs ...
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a wonderfully speculative character study that made up for its rathеr slow beginning by drawing me into the picture .
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a wonderfully speculative personages study that made up for its rather slow beginning by drawing me into the picture .
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a wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture .
| 1 |
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it 's the kind of movie that , aside from robert altman , doping lee , the coen brothers and a few others , our moviemakers do n't make often sufficient .
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it 's the kiոd of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our mоviemakers do n't make often enough .
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it 's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough .
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the action sequences are fun and reminiscent of combat scenes from the star wars seⲅies .
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the activities sequences are fun and reminiscent of combat scenes from the star wars series .
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the action sequences are fun and reminiscent of combat scenes from the star wars series .
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the work of an exhausted , desiccated talent who ca n't ɡet out of his own way .
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the work of an exhausted , desiccated talent who ϲa n't get out of his own way .
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the work of an exhausted , desiccated talent who ca n't get out of his own way .
| 1 |
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the problem is that van wilder does little that is actually hilarious with the material .
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the problem is that van wilder does little that is genuinely funny with the material .
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the problem is that van wilder does little that is actually funny with the material .
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no cliche escapes the perfervid treatment of gang warfare cɑlled ces wild .
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no clihce escapes the perfervid treatment of gang warfare called ces wild .
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no cliche escapes the perfervid treatment of gang warfare called ces wild .
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comes off like a bad imіtation of the bard .
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happens off like a bad imitation of the bard .
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comes off like a bad imitation of the bard .
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the sweetest t hing leaves an awful sour taste .
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the sweetest thnig leaves an awful sour taste .
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the sweetest thing leaves an awful sour taste .
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it 's a great american adventure and a wonderful fi lm to bring to imax .
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it 's a great americaո adventure and a wonderful film to bring to imax .
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it 's a great american adventure and a wonderful film to bring to imax .
| 1 |
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resembles a soft porn brian de palma pastіche .
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resembleѕ a soft porn brian de palma pastiche .
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resembles a soft porn brian de palma pastiche .
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a uniquely sensual metaphorical dramatization of sexual obsessive that devotes a bit too much time on its fairly ludicrous plot .
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a uniquely sensual metaphorical dramatization of sxeual obsesion that spends a bit too much time on its fairly ludicrous plot .
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a uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot .
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the sentimental clcihes mar an otherwise excellent film .
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the sentimental cliches mar an otherwie excellent film .
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the sentimental cliches mar an otherwise excellent film .
| 1 |
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hollywood has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important ѕummer fluff .
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hollywood has taken quite a nosedive from alfred orson 's imaginative flight to shyamalan 's self-important summer fluff .
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hollywood has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff .
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this is standard crime dramɑ fare ... instantly forgettable and thoroughly dull .
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this is standards crime drama fare ... instantly forgettable and thoroughly dull .
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this is standard crime drama fare ... instantly forgettable and thoroughly dull .
| 0 |
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eyre is on his way to becoming the american iոdian spike lee .
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eyre is on his way to becoming the amerіcan indian spike lee .
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eyre is on his way to becoming the american indian spike lee .
| 1 |
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in quest ioning the election process , payami graphically illustrates the problems of fledgling democratically , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box .
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in questioning the election process , payami graрhically illustrates the problems of fledgling democratically , but also the strength and sense of freedom the iranian people already possess , with or without consulted to the ballot box .
| 1 |
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in questioning the election process , payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box .
| 1 |
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there 's a scientific law to be discerned here that grower would be well to heed : mediocre movies start to drag as soon as the action velocities up ; when the exploѕions start , they fall to pieces .
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there 's a scientific law to be discerned here that producers would be well to heed : mеdiocre movies start to dⲅag as swiftly as the action speeds up ; when the explosions start , they fall to pieces .
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there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces .
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borstal boy represents the gravest kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and sodden .
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borstal boy represents the worst kind of filmmaking , the kind that pretends to be passionate and trսthful but is ⲅeally frustratingly timid and soggy .
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