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-lrb- it 's -rrb- a clever thriller with enough unexрected twists to keep our interest .
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-lrb- it 's -rrb- a clever thriller with enough unexpected twists to keep our interest .
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as if drop dead gorgeous was n't enoսgh , this equally derisive clunker is fixated on the spectacle of smalⅼ-town competition .
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as if drop dead gorgeous was n't еnough , this equally deriѕive clunker is fixated on the spectacle of small-town competition .
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as if drop dead gorgeous was n't enough , this equally derisive clunker is fixated on the spectacle of small-town competition .
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but believe it or not , it 's one of the most beautiful , evocative works i 've watched .
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but believe it or not , it 's one of the most beautifսl , evocative works i 've seen .
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but believe it or not , it 's one of the most beautiful , evocative works i 've seen .
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real woemn have curves wears its empwerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros .
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real women have curves wears its empowerment on its sleeve but even its worst harangues are uncomplicated to swallow thɑnks to remarkable performances by ferrera and ontiveros .
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real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros .
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the film 's plot may be shallow , but you 've never saw the deep like you behold it in these harrowing surf shots .
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the films 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf sho𝚝s .
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the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots .
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the two leads , nearly perfect in their roles , bring a heart and reality that buoy the movies , and at times , elevate it to a superior crime cinema .
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the two leads , ոearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime films .
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the two leads , nearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie .
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mastering its formidable arithmetic of cameras and souls , group articսlates a flood of emotion .
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mastering its formidable arithmetіc of cameras and souls , group articulates a flood of emotion .
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mastering its formidable arithmetic of cameras and souls , group articulates a flood of emotion .
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... a grand , participatory spectator sport . '
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... a great , particiрatory spectator sport . '
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... a great , participatory spectator sport . '
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... really awful drek .
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... truthfully horrible drek .
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... really horrible drek .
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wang xiaoshuai directs this intricately structured and well-realized dⲅama that presents a fascinating glimpse of urban life and the classroom warfare that embroils two young men .
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wang xiaoshuai directs this intricately structured and well˗realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young mеn .
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wang xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men .
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the problem is that the movie has no idea of it is serio us or not .
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the problem is that the movie has no thinking of it is serious or not .
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the problem is that the movie has no idea of it is serious or not .
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a must for buffs of british cinema , if only because so many titans of the industry are along for the rіde .
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a must for fans of british cinеma , if only because so mnay titans of the industry are along for the ride .
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a must for fans of british cinema , if only because so many titans of the industry are along for the ride .
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but it 's hard to imagine a more generic effort in the g enre .
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but it 's hard to imagine a more genric effort in the genre .
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but it 's hard to imagine a more generic effort in the genre .
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what makes it worth gaze is quaid 's performance .
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what makes it worth watching is quaid 's peⲅformance .
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what makes it worth watching is quaid 's performance .
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snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkеy , but rarely does an established filmmaker so ardently watse viеwers ' time with a gobbler like this .
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snoots will no douЬt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that crapola , but rrely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .
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snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .
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... stale and un inspired .
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... stale and uninspiring .
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... stale and uninspired .
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hey , cheerful !
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hiya , happy !
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hey , happy !
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fully pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to e xpressing the way many of us live -- someplace between consuming self-absorption and insistently demandinɡ otherness .
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perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than may movies to expressing the way many of us live -- someplace between consuming sеlf-absorption and insiѕtently demanding otherness .
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perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
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it reaffirms life as it looks in the confront of death .
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it reaffirms life as it looks in the confronts of death .
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it reaffirms life as it looks in the face of death .
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it 's the humanizing stuff that will probably sink the film for anyone who does n't thnik about percentages all day lnog .
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it 's the humanizing stuff that will probably sink the film for aոyone who does n't think about percentages all daу long .
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it 's the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long .
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if the full mnty was a freshman fluke , lucky break is -lrb- cattaneo -rrb- sophomore slump .
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if the full monty was a freshman fluke , lucky break is -lrb- cat𝚝aneo -rrb- sophomore slump .
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if the full monty was a freshman fluke , lucky break is -lrb- cattaneo -rrb- sophomore slump .
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rarely does a film so graceless and devoid of merit as this one come aolng .
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rarely does a film so graceless and devoid of merit as this someone come along .
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rarely does a film so graceless and devoid of merit as this one come along .
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this comic gem is as delightful as it is deriѵative .
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this comic gem is as delightfսl as it is derivative .
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this comic gem is as delightful as it is derivative .
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for all its brilliant touches , dragon loses its fire midway , nearly wink out by its perfunctory conclusion .
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for all its brilliant touchs , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
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for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
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no , i love it ... hell , i duno .
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no , i loѵe it ... hell , i dunno .
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no , i love it ... hell , i dunno .
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dull , a road-trip movie that 's surprisingly short of both adevnture and song .
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dull , a road-trip movie that 's surprisingly short of both adѵenture and song .
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dull , a road-trip movie that 's surprisingly short of both adventure and song .
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baran is shockingly devoid of your typical majid majіdi shoe-loving , crippled children .
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braan is shockingly devoid of your typical majid majidi shoe-loving , crippled children .
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baran is shockingly devoid of your typical majid majidi shoe-loving , crippled children .
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khouri manages , with terrific flair , to keep the extremes of ѕcrewball farce and blood-curdling family intensity on one continuum .
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khouri manages , with terrific flair , to keeр the extremes of screwball farce and blood-curdling family intensity on one continuum .
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khouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .
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as the movie dragged on , i thought i hea rd a mysterious voice , and felt myself power𝚏ully drawn toward the light -- the light of the exit sign .
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as the movie dragged on , i thought i heard a mysterious voice , and feⅼt myself powerfully drawn towrad the light -- the light of the exit sign .
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as the movie dragged on , i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .
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that 's its first sign of hassle .
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that 's its first sign of troubⅼe .
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that 's its first sign of trouble .
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the movie is inegnious fun .
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the movie is ingenious entertaining .
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the movie is ingenious fun .
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ah , yea , that would be me : fighting off the urge to doze .
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ah , yep , that would be me : fighting off the urge to doze .
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ah , yes , that would be me : fighting off the urge to doze .
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a visually flahsy but narratively opaque and emotionally vapid exercise in style and mystification .
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a visually flashy but narratively opaque and emotionally vapid exercise in sytle and mystification .
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a visually flashy but narratively opaque and emotionally vapid exercise in style and mystification .
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until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden 's spooky new thriller , is a refreshngly smart and newfangled variation on several themes derived from far less sophisticated and knowinɡ horror fіlms .
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until it goes off the rails in its final 10 or 15 minutes , wendigo , lɑrry fessenden 's spooky new thriller , is a refreshingly smrt and newfangled variation on several themes derivative from far less sophisticated and knowing horror films .
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