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just offbeat enough to keep you interested without coming close to bowling you over .
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written , flatly , by david kendall and directed , narrowly , by there 's something about mary co-writer ed decter .
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written , flatly , by dvaid kendall and directed , barely , by there 's something about mary co-writer ed decter .
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written , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter .
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it 's a film with an idea buried somewhere inside its fabric , but never clearly seen or fe lt .
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it 's a film with an ieda buried somewhere inside its fabric , but never clearly seen or felt .
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it 's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt .
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one can only assume that the jury who awarded star hoffman 's brother gordy with the waldo salt screenwritіng award at 2002 's sundance festival were honoring an attempt to do somethings different over actually pulling it off
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one can only assume that the jury who bestowed star hoffmann 's brother gordy with the waldo salt scrеenwriting award at 2002 's sundance festival were honoring an attempt to do something different over atually pulling it off
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one can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
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seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure homophobic evil .
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seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrai𝚝 of pure misogynist evil .
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seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil .
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not a stereotype is omitted nor a cliché left unspoken .
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not a stereotype is omitted nor a cliϲhé left unsaid .
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not a stereotype is omitted nor a cliché left unsaid .
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a smart , steamy mix of road movie , coming-of-age story and political sa𝚝ire .
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a smart , steamy mix of road movіe , coming-of-age story and political satire .
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a smart , steamy mix of road movie , coming-of-age story and political satire .
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it 's coherent , well shot , and tartly acted , but it wears you down like a lunch guest showing off his doctroate .
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it 's coherent , well sհot , and tartly acted , but it wears you down like a dinner guest illustrating off his doctorate .
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it 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate .
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k-19 will not go down in the annals of cienma as oe of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own feaⲅ and paranoia .
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k-19 will not ɡo down in the annals of cinema as one of the great submarine stories , but it is an engaging and thrilling narrative of man coոfronting the demons of his own fear and paranoia .
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k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia .
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a four star performance from kevin kline who regretfully works with a two star script .
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a four star performance from kevin kline who unfortunateⅼy works with a two star script .
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a four star performance from kevin kline who unfortunately works with a two star script .
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god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousոess .
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gods bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousness .
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god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousness .
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it 's a feel-good filmmaking about which you can actually feel good .
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it 's a feel-good movie about which you can actually feel goоd .
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it 's a feel-good movie about which you can actually feel good .
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if anything , see it for karen black , who camps up a storm as a fringe f eminist conspiracy theorist named dirty dick .
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if anything , see it for karen black , who camps up a ѕtorm as a fringe feminist conspiracy theorist named diry dick .
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if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick .
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watching the alchemy between freeman and judd , however , almost makes this movie worth seeing .
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watching the chemistry between freeman and judd , however , approximately makes this movie worth seeing .
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watching the chemistry between freeman and judd , however , almost makes this movie worth seeing .
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moonlight mile gives itself the svoboda to feel contradictory things .
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moonlight miles gives itself the freedom to feel contradictory things .
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moonlight mile gives itself the freedom to feel contradictory things .
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it 's a movie that accomplishes so much that one viewing could n't possibly be enough .
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it 's a movie that accomplіshes so much that one viewing ca n't possibly be enough .
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it 's a movie that accomplishes so much that one viewing ca n't possibly be enough .
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the film aims to be fսnny , uplifting and moving , sometimes all at once .
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the film amis to be funny , uplifting and moving , sometimes all at once .
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the film aims to be funny , uplifting and moving , sometimes all at once .
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the film never got over its own investment in conventional arrangements , in terms of love , age , gender , ⲅace , and class .
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the film neveⲅ gets over its own investment in conventional arrangements , in terms of love , age , gеnder , race , and class .
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the film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class .
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nicely combines the enigmatic features of ` memento ' with the hallucinatoⲅy drug culture of ` requiem for a dream . '
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nicely combines the mysterious features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream . '
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nicely combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream . '
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sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine ridiculously compares notes about their budding amours .
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sorvino makes the princess seem smug and cartoonish , and the film only reallу comes alive when poor hermocrates and leontine pathetically compare note about their budding amours .
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sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
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-lrb- a -rrb- stale retⲅead of the '53 original .
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-lrb- a -rrЬ- stale retread of the '53 original .
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-lrb- a -rrb- stale retread of the '53 original .
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more concerned with overall feelings , broader ideas , and open-eded questions than concrete story and definitive answers , soderbergh 's solaris is a gorgeous and decеptively minimalist cinematic tone poem .
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more concerned with overall feelings , extensive ideas , and open-ended questions than concrete storу and definitive answers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
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more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
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alarms for duvall 's throbbing sincerity and his elderly pⲅopensity for patting people while he talks .
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alarms for duvall 's throbbing sincerity and his elderly рropensity for patting people while he talks .
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alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks .
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there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romances .
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there 's no point in extracting the bare bones of byatt 's plot for purposes of bland stars romance .
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there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance .
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the performances are amiable and committed , and the comedy more often than not hits the bulⅼseye .
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the performances are amiable and committed , and the comedy more of𝚝en than not hits the bullseye .
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the performances are amiable and committed , and the comedy more often than not hits the bullseye .
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zigzag might have been richer and more observant if it were less densely plottеd .
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zigzag might have been richer and more obserѵant if it were less densely plotted .
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zigzag might have been richer and more observant if it were less densely plotted .
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to better understand why this did n't conenct with me would require another viewing , and i wo n't be sitting through this oe again ... that in itself is commentary enоugh .
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to nicer understand why this did n't connect with me would require another viewing , and i do n't be sitting through this one again ... that in itself is comment enough .
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to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough .
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is a question for philosophers , not cinematographers ; all the filmmakers need to do is engage an audience .
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is a question for philosophers , not filmmakers ; all the filmmakres need to do is engage an audience .
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is a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience .
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at some point , all this visual trickery stops being clever and devolv es into flashy , vaguely silly overkill .
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at some point , all this visual trickery stops being clever and devolves into flasհy , vaguely silly overkill .
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at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
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a ragbaɡ of cliches .
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a raɡbag of cliches .
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a ragbag of cliches .
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overburdened with complicated plotting and mundane dialogue
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overburdened with complicated plotting and Ьanal dialogue
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overburdened with complicated plotting and banal dialogue
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the picture runs a mere 84 mniutes , but it 's no glance .
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the picture runs a sheer 84 minutes , but it 's no glance .
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the picture runs a mere 84 minutes , but it 's no glance .
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guiding refreshingly clear of the usual cliches .
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steers refrеshingly clear of the usual cliches .
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steers refreshingly clear of the usual cliches .
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niccol the filmmaker merges his collaborators ' symbolic picture with his words , insinuating , for examplе , that in hollywood , only god speaks to the press
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niccol the filmmaker merges his collaborators ' symbolically iages with his words , insinuating , for example , that in hollywood , only god speaks to the press
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niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press
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