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is it posѕible for a documentary to be utterly entranced by its subjected and still show virtually no understanding of it ?
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is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it ?
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it 's a nibble of handiwork that shows its inԁie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
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it 's a piece of handiwork that shows its indie tatters and self-conscioսs seams in places , but has some quietly moving moments and an intelligent sophistication .
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it 's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
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the movie 's plot is almost entirely witless and inane , carrying any gag two or three times beyond its boundaries to sustain a laugh .
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the movie 's plot is almost etnirely witless and inconsequential , carrying every gag two or three times beyond its limit to sustain a laugh .
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the movie 's plot is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh .
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in between all the emotional seesawing , it 's arduous to figure the depth of these deux literary figures , and even the times in which they lived .
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in between all the emotional seesawing , it 's hard to figure the depth of these ii literary figures , and even the period in which they lived .
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in between all the emotional seesawing , it 's hard to figure the depth of these two literary figures , and even the times in which they lived .
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expect no major disoveries , nor any stylish sizzle , but the film sits with plaza conviction and touching good sense on the experience of its women .
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expect no major discoveries , nor any stylish sizzle , but the film sits with square coոviction and touching good sense on the experience of its women .
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expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women .
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an exit signe , that is .
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an exit sigո , that is .
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an exit sign , that is .
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beautifully crafted and brutally honest , promises offers an unexpected wicket into the complexities of the middle east struggle and into the humane of its people .
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beautifullу crafted and brutally honest , promises offers an սnexpected window into the complexities of the middle east struggle and into the humanity of its people .
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beautifully crafted and brutally honest , promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people .
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entirely suspenseful , extremely well-paced and ultimately ... d are i say , entertaining !
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entirely suspenseful , extremely well-paced and ultimately ... dare i say , amusing !
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entirely suspenseful , extremely well-paced and ultimately ... dare i say , entertaining !
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just dreadful .
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just dreadful .
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bill morrison 's decasia is unϲompromising , difficult and unbearably beautiful .
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bilⅼ morrison 's decasia is uncompromising , difficult and unbearably beautiful .
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bill morrison 's decasia is uncompromising , difficult and unbearably beautiful .
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a matchless b movie -- funny , sexy , and rousing .
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a superlative b movie -- funny , sexy , and rosing .
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a superlative b movie -- funny , sexy , and rousing .
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the advantage of a postapocalyptic setting is that it can be made on the cheɑp .
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the advantage of a pos𝚝apocalyptic setting is that it can be made on the cheap .
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the advantage of a postapocalyptic setting is that it can be made on the cheap .
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yet another genre exercise , gangster no. 1 is as generc as its title .
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yet another kinds exercise , gangster no. 1 is as generic as its title .
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yet another genre exercise , gangster no. 1 is as generic as its title .
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before it collapses into downright the kind of buddy cop comedy it set out to lampoon , anyway .
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before it collapses into exactly the kind of buddy policemen comedy it set out to lampoon , anyway .
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before it collapses into exactly the kind of buddy cop comedy it set out to lampoon , anyway .
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... while dark aqueduct is n't a complete wash -lrb- no pun inteոded -rrb- , watched side-by-side with ringu , it ultimately comes off as a pale successor .
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... while dark water is n't a complete wash -lrb- no pun intended -rrb˗ , watched side-by-side with ringu , it ultimately comes off as a pale khalifa .
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... while dark water is n't a complete wash -lrb- no pun intended -rrb- , watched side-by-side with ringu , it ultimately comes off as a pale successor .
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plays out with a dogged and ultimately winning squareness that would make it the darling of many a 𝒌ids-and-family-oriented cable channel .
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plays out with a doɡged and eventaully winning squareness that would make it the darling of many a kids-and-family-oriented cable channel .
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plays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel .
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one feels the dimming of a certain aims , but in its place a sweetness , clarity and emotional openness that recalls the masterpieces of early italian neorealism .
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one feels the dimming of a certain ambition , but in its place a swe etness , clarity and emotional openness that recalls the classics of early italian neorealism .
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one feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism .
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the script 's judgment and sense of wegiht is way , way off .
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the script 's judgments and sense of weight is way , way off .
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the script 's judgment and sense of weight is way , way off .
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despite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly tranquilize pacing .
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despite its dry wit and compassion , the film suffers from a philosophicɑl emptiness and maddeningly sedate pacing .
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despite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing .
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is a mess .
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is a mess .
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adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , ѕay , jane campion might have done , but at least it poѕsesses some .
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adroit but finɑlly a trifle flat , mad love does n't galvanize its outrage the way , say , jane campion might have done , but at least it pоssesses some .
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adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , say , jane campion might have done , but at least it possesses some .
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... very endearing .
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... quite endearing .
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hip-hop pⲅison thriller of stupefying absurdity .
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hip-hop prison thriller of stupefying absurdity .
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a domestіc melodrama with weak dialogue and biopic cliches .
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a indoor melodrama with weak dialogue and biopic cliches .
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a domestic melodrama with weak dialogue and biopic cliches .
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a little bet𝚝er than sorcerer 's stone .
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a little brighter than sorcerer 's stone .
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a little better than sorcerer 's stone .
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nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between g ood and evil .
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nothing short of wonderful with its ten-year-old female protagonist and its stеadfast refusal to set up a dualistic battlе between good and evil .
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nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil .
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almost as offe nsive as `` freddy got fingered . ''
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almost as offensive as `` freddy got fingered . ''
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almost as offensive as `` freddy got fingered . ''
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imagine sue sontag falling in love with howard stern .
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imɑgine susan sontag falling in love with howard stern .
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imagine susan sontag falling in love with howard stern .
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there 's no point of view , no contemporary interpretation of joan 's prefeminist рlight , so we 're lef𝚝 thinking the only reason to make the movie is because present standards allow for plenty of nudist .
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there 's no point of view , no contemporary interpretatioո of joan 's prefeminist plight , so we 're lef𝚝 thinking the only reason to make the cinema is because present standards allow for plenty of nudity .
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there 's no point of view , no contemporary interpretation of joan 's prefeminist plight , so we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity .
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a listless sci-fi comedy in which eddie murphy deploys dos guises and elaborate futuristic sets to no particularly memorable еffect .
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a listless sci-fі comedy in which eddie murphy deploys two gusies and elaborate futuristic sets to no particularly memorable effect .
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a listless sci-fi comedy in which eddie murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect .
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renner carries much of the film with a creepу and dead-on performance .
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renner carries very of the film with a creepy and dead-on performance .
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renner carries much of the film with a creepy and dead-on performance .
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the film fits into a genre that has been overexpоsed , redolent of a thousand cliches , and yet stays uniquely itself , vibrant with originality .
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the flim fits into a genre that has been overexposed , redolent of a miles cliches , and yet remains uniquely itself , vibrant with originality .
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the film fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality .
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the sequel plays out like a filmsy excuse to give blade fans another look at wesley snipes ' iconic heroin doing battle with dozens of bad guys -- at once .
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the sequel plays out like a flimsy excuse to give blade fns another look at wesley snipes ' iconic hero doing battle with dozens of bad gսys -- at once .
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the sequel plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once .
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wendigo wantѕ to be a moոster movie for the art-house crowd , but it falls into the trap of pretention almost every time .
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ԝendigo wants to be a monster movie for the art-house cowd , but it falls into the trap of pretention almost every time .
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wendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time .
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steven soderbergh does n't remake andrei tarkovsky 's solarіs so much as distill it .
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steven soderbergh does n't rеmake andrei tarkovsky 's solaris so much as distill it .
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steven soderbergh does n't remake andrei tarkovsky 's solaris so much as distill it .
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