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` possession , ' based on the book by a.s. byatt , demands that labute deal with the subject of love head-on ; trading in his cynicism for reverence and a little wit
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did no o ne on the set have a sense of huｍor , or did they not have the nerve to speak up ?
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did no one on the establishing have a sense of humor , or did they not have the nevre to speak up ?
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did no one on the set have a sense of humor , or did they not have the nerve to speak up ?
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cinematic pyrotechnics aside , the only contraption avary seems to care about are mean giggles and pulchritude .
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cinematic pyrotechnics aside , the only thіng avary seems to care about are mean giggles and pulchritude .
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cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and pulchritude .
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some of the most creative silliness you are likely to witness in a movie theatre for some time .
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some of the most inventive silliness you are lik ely to witness in a movie theatre for some time .
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some of the most inventive silliness you are likely to witness in a movie theatre for some time .
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the story is lacking any real emotiоnal impact , and the plot is both contrived and cliched .
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the story is lacking any veritable emotional impact , and the plot is both contrived and cliched .
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the story is lacking any real emotional impact , and the plot is both contrived and cliched .
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others , more attuned to the anarchist maxim that ` the ugre to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic useѕ of technologу to be liberating .
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others , more attuned to the anarchist maxim that ` the ur ge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find mоrrison 's iconoclastic uses of technology to be liberating .
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others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating .
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an awfully decent , achingly human picture .
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an awfully good , achingly human photo .
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an awfully good , achingly human picture .
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but no. .
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but no. .
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it never plays as dramatic even when dramatic things happеn to people .
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it never plays as dramatic eѵen when dramatic things happen to people .
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it never plays as dramatic even when dramatic things happen to people .
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i have n't seen such self-a mused trash since freddy got fingered .
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i have n't seen such self-amused trash s ince freddy got fingered .
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i have n't seen such self-amused trash since freddy got fingered .
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a cross between blow and boyz n the hood , this movie strives to be more , but does n 't quite get there .
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a cross between blow and boyz n the hood , this movie stⲅives to be more , but does n`t quite get there .
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a cross between blow and boyz n the hood , this movie strives to be more , but does n't quite get there .
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it 's a bad action movie because there 's no rooting interest and the sectacle is grotesque and boring .
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it 's a bad action movie because there 's no rooting intrest and the spectacle is grotesque and boring .
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it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring .
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provides the kind of ` laugh therapy ' i need from movie comedies -- zany hսmor , amusing characters , and a happy ending .
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provides the kind of ` lauɡh therapy ' i need from movie comedies -- offbeat հumor , amusing characters , and a happy ending .
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provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending .
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a prolongеd extrusion of psychopathic pulp .
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a рrolonged extrusion of psychopathic pulp .
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a prolonged extrusion of psychopathic pulp .
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little action , almost no suspense or believable t ension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic .
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little action , almost no suspense or believable tension , one-dimensional characters up the waᴢoo and sets that can only be described as sci-fi general .
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little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic .
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director nancy savoca 's no-f rills recordings of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
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director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period fɑr better than a more measuring or polished production ever ca .
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director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
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despite its floating narrative , this is a stunningly accessible and haunting film .
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despite its floating narrɑtive , this is a remarkably accessible and haunting film .
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despite its floating narrative , this is a remarkably accessible and haunting film .
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the sum of all fears professes to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war cynicism .
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the sum of all fers pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war рaranoia .
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the sum of all fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war paranoia .
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the hpynotic imagery and fragmentary tale explore the connections between place and personal identity .
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the hypnotic imagery and fragmentary tale exlpore the connections between place and personal identity .
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the hypnotic imagery and fragmentary tale explore the connections between place and personal identity .
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it 's fun , lusty and entertainingly nasty .
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it 's fun , splashy and entertainingly nas𝚝y .
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it 's fun , splashy and entertainingly nasty .
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... the first 2\/3 of the film are incredibly cɑptivating and insanely funny , thanks in part to interesting cinematic devices -lrb- cool vi sual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ...
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... the first 2\/3 of the film are increԁibly captivating and insanely funny , thɑnks in part to interesting cinematic devices -lb- cool visual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ...
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... the first 2\/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices -lrb- cool visual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ...
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rather , pity anyone who sеes this mishmash .
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rtaher , pity anyone who sees this mishmash .
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rather , pity anyone who sees this mishmash .
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return to never land may be another shameless attempt by disneу to rake in dougհ from baby boomer families , but it 's not half-bad .
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return to never land may be else shameless attempt by disney to rake in dough from babies boomer families , but it 's not half-bad .
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return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad .
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the movie , despite its rogh edges and a tendency to sag in certain places , is wry and engrossing .
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the movie , despite its rough edges and a tendency to sag in certain places , is w ry and engrossing .
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the movie , despite its rough edges and a tendency to sag in certain places , is wry and engrossing .
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much like robin williams , d eath to smoochy has already reached its expiration date .
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much like robin williams , death to smoochy has already reached its expiratiоn date .
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much like robin williams , death to smoochy has already reached its expiration date .
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a pleasing , o𝚏ten-funny comedy .
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a pleasing , оften-funny comedy .
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a pleasing , often-funny comedy .
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a tour de force drama about the astonishingly pivo tal role of imagination in the soulful development of two rowdy teenagers .
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a tour de force drama about the astonishingly pivоtal role of imagination in the soulful development of dos rowdy teenagers .
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a tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers .
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good actors have a radar for lucrative roles -- there 's a plethora of personages in this picture , and not one of them is flat .
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goоd gamers have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat .
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good actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat .
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after all , it 'll doubtless be in ѵideo stores by christmas , and it might just be better suited to a night in the inhabit room than a night at the movies .
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after all , it 'll probably be in video shop by christmas , and it might just be better suited to a night in the inhabit room than a night at the ｍovies .
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after all , it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies .
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it concentrates far too much on the awkward interplay and utter lack of chemistry between chaո and hewitt .
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it concentrates far too much on the awkward interplay and utter lack of cհemistry between chan and hewitt .
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it concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt .
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her performance moves between heartbreak and rebeⅼlion as she continually trіes to accommodate to fit in and gain the unconditional love she seeks .
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her performance moves between heartbreak and rеbellion as she continually tries to accommdate to fit in and gain the unconditional love she seeks .
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her performance moves between heartbreak and rebellion as she continually tries to accommodate to fit in and gain the unconditional love she seeks .
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bad company .
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bad company .
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so vivid a portrait of a woman consumed by ⅼust and love and crushed by betrayal that it conjures up the intoxiϲating fumes and emotional ɡhosts of a freshly painted rembrandt .
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so vivid a portrait of a woman consսmed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghоsts of a freshly pain𝚝ed rembrandt .
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so vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt .
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if you 've grown tied of going where no man has gone before , but several movies have - take heart .
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if you 've grown tired of go ing where no man has gone before , but several movies have - take heart .
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if you 've grown tired of going where no man has gone before , but several movies have - take heart .
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swiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for culminate actress andie macdowell .
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swiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress ɑndie macdowell .
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