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there 's nothing like love to give a movie a b-12 shot , and cq shimmers with it .
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while not for eevry taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film fracnhise , too long reduced to direct-𝚝o-video irrelevancy .
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while not for every taste , this often very funny collegiate gross-out comedy goeѕ a long way toward restoⲅing the luster of the national lampoon film franchise , too long reduced to ԁirect-to-video irrelevancy .
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while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
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the movie is not as terrible as the synergistіc impulse that created it .
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the movie is not as terrіble as the synergistic impulse that created it .
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the movie is not as terrible as the synergistic impulse that created it .
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the characters are based on stock clichés , and the attеmpt to complicate the story only defies credibility .
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the chaⲅacters are based on stock clichés , and the attempt to complicate the story only defies credibility .
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the characters are based on stock clichés , and the attempt to complicate the story only defies credibility .
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it 's petty thievery like this that begs flimsy flicks like this behind bars
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it 's petty thievery like this that raises flimsy flicks like this behind bars
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it 's petty thievery like this that puts flimsy flicks like this behind bars
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... an adorably whimsical comedy that deserves more than a passing twinkⅼe .
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... an adorably whimsical comedy that ԁeserves more than a passing twinkle .
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... an adorably whimsical comedy that deserves more than a passing twinkle .
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with or without ballast tanks , k-19 sinks to a harrison fоrd low .
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with or without ballast tanks , k-19 sunken to a harrison ford low .
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with or without ballast tanks , k-19 sinks to a harrison ford low .
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mr. koshashvili is a director to observation .
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mr. koshashvili is a director to watch .
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about as big a crowdpleaser as they possibly arriving .
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about as big a crowdpleaser as they possiЬly come .
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about as big a crowdpleaser as they possibly come .
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but on the whоle , you 're gonna like this movie .
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but on the wհole , you 're gonna like this movie .
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but on the whole , you 're gonna like this movie .
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we can tell what it is supposed to be , but ca n 't really call it a work of art .
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we can tell what it is supposed to be , but cɑ n't really call it a work of art .
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we can tell what it is supposed to be , but ca n't really call it a work of art .
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the art direction and costumes are gorgeous and finely detailed , and kurys ' direction is cl ever and insightful .
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the art guidelines and costumes are gorgeous and finely detailed , and kurys ' direction is clever and insightful .
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the art direction and costumes are gorgeous and finely detailed , and kurys ' direction is clever and insightful .
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the film is delicately narrated by martin landau and directed with sensitivity and sikll by dana janklowicz-mann .
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the film is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowіcz-mann .
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the film is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann .
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sad nonsesne , this .
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sad nonsеnse , this .
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sad nonsense , this .
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entire note rings false .
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every ոote rings false .
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every note rings false .
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the evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in loոg before the pⅼot kicks into gear .
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the evocative imagery and gen𝚝le , lapping ⲅhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear .
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the evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear .
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succeeds as a well-made eѵocation of a subculture .
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succeeds as a welⅼ-made evocation of a subculture .
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succeeds as a well-made evocation of a subculture .
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plunges you into a reality that is , more ofen then not , dificult and sad , and then , without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celeratory vision .
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plunges you into a reality that is , more often then not , difficult and sad , and then , without sentimentalizing it or denying its brutality , transforms that reality into a lyricl and celebratory vi sion .
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plunges you into a reality that is , more often then not , difficult and sad , and then , without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision .
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an immensely entertaining look at some of the unsung heroes of 20th century pappy music .
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an immensеly entertaining look at some of the unsung heroes of 20th century pop music .
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an immensely entertaining look at some of the unsung heroes of 20th century pop music .
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the action scenes have all the sufferance of a 20-car pileup , while the polt holes are bіg enough for a train car to drive through -- if kaos had n't blown them all up .
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the action scenes have all the sus pense of a 20-car pileup , while the plot holes are big enough for a train motorcar to drive through -- if kaos had n't blown them all up .
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the action scenes have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up .
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howard conjures the past via surrealist flourishes so oveⲅwrought you 'd sweɑr he just stepped out of a buñuel retrospective .
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howard conjureѕ the past via surrealist flоurishes so overwrought you 'd swear he just stepped out of a buñuel retrospective .
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howard conjures the past via surrealist flourishes so overwrought you 'd swear he just stepped out of a buñuel retrospective .
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eisenstein lacks considerable brio for a film about one of ciema 's directorial giants .
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eisenstein lacks consiԁerable brio for a film about one of cinema 's directorial giants .
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eisenstein lacks considerable brio for a film about one of cinema 's directorial giants .
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also if you do n't know the band or the album 's songs by heart , you will enjoy seeiոg how both evolve , and you will additionally learn a good deal about the state of the music business in the 21st ϲentury .
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even if you do n't know the band or the album 's anthems by nub , you will enjoy watching how both evolve , and you will furthermore learn a good deal about the state of the music business in the 21st century .
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even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century .
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fundamentally caustic and oddly whimsical , the film chimes in on the grieving procss and strangely draws the audience into the unexplainable painless and eccentricities that are attached to the concept of loss .
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inherently cɑustic and oddly whimsical , the film chimes in on the grieving prcoess and strangely draws the spectators into the unexplainable pain and eccentricities that are attached to the concept of loss .
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inherently caustic and oddly whimsical , the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .
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like being able to hit on a 1-5year old when you 're over 100 .
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like being able to hit on a 15-year old when you 're over l00 .
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like being able to hit on a 15-year old when you 're over 100 .
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it 's beter than the phantom menace .
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it 's betetr than the phantom menace .
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it 's better than the phantom menace .
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an effortlessly accompished and richly resonant work .
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an effortlessly accomplisheԁ and richly resonant work .
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an effortlessly accomplished and richly resonant work .
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broomfield is energized by volletta wallace 's maternal fury , her fearleѕsness , and because of that , his film crackles .
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broomfield is energized by volletta wallace 's materոal fury , her fearlessness , and because of that , his film crackles .
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broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and because of that , his film crackles .
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a fiercely clever and subtle film , capturing the precarious balance between the extraѵagant confidence of the exiled aristocracy and the brutal earnestness of the victorious revolutionaries .
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a fiercely clever and subtle film , capturing the precarious balnce between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the winning revolutionaries .
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a fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries .
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this kind of hands-on storytelling is ultimately what makes shanghai ghetto move beyond a god , dry , reliable handbook and what allows it to rank with its worthy predecessors .
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this kind of hands-on storytelling is ultmately what makes shanghai gհetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors .
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this kind of hands-on storytelling is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors .
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formulaic to the 51st power , more likе .
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forｍulaic to the 51st power , more like .
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formulaic to the 51st power , more like .
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when your subject is illusion versus rea lity , should n't the reality seem at least passably real ?
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when your subject is illusion versus reality , should n't the reality seem at less passably real ?
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when your subject is illusion versus reality , should n't the reality seem at least passably real ?
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the outcomes are far more alienating than involving .
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the results are far more alіenating than involving .
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the results are far more alienating than involving .
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these characters become drudgery .
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these characters become weariѕome .
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these characters become wearisome .
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it fids its moviegoing pleasures in the tiny events that do make a person who has lived her life half-asleep suddenly wake up and take notice .
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