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friday after next is a lot more bluster than bite .
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opera on panorama is never satisfactory .
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opera on video is never satisfactory .
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puccini on film is never satisfactory .
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opera on film is never satisfactory .
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nicole holofcenter , the ingenious writer\/director responsible for this illuminating comedian does n't wrap the proceedings up neatly but the ideas tie together beautifully .
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nicole holofcenter , the insightful writer\/director responsible for this illuminating comedy does n't wrap the proceedings up brilliantly but the think tie together beautifully .
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nicole holofcenter , the insightful writer\/director responsible for this illuminating slapstick does n't wrap the activity up neatly but the ideas tie together beautifully .
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nicole holofcenter , the insightful writer\/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully .
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but , like hush , it 's a movie that gets under your skin .
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but , like silence , it 's a movie that gained under your skin .
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but , like silence , it 's a movie that gets under your conceal .
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but , like silence , it 's a movie that gets under your skin .
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gooding and coburn are both oscar prize , a fact which , as you watch them clumsily onslaught their way through snow dogs , seems inconceivable .
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gooding and coburn are both oscar winners , a fact which , as you supervise them clumsily mugging their way through snow dogs , seems conceivable .
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gooding and coburn are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow bichon , seems inexcusable .
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gooding and coburn are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable .
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forceful , silly , stupid and pointless .
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loud , silly , senseless and pointless .
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loud , silly , stupid and claptrap .
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loud , silly , stupid and pointless .
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while it 's nothing we have n't seen before from murphy , i spy is still entertain and enjoyable and so aggressively mindless that it 's more than a productive effort .
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while it 's nothing we have n't seen before from murphy , i spy is still fun and charming and so vehemently silly that it 's more than a advisable effort .
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while it 's nothing we have n't seen before from murphy , i spy is still fun and enjoyable and so restlessly silly that it 's more than a justifiable tries .
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while it 's nothing we have n't seen before from murphy , i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .
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mctiernan 's remake may be brighter on its feet -- the sober-minded original was as exudes as a tap-dancing rhino -- but it is just as boring and as obvious .
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mctiernan 's remake may be lighter on its feet -- the sober-minded original was as gracious as a tap-dancing rhino -- but it is just as unimaginative and as obvious .
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mctiernan 's remake may be livelier on its feet -- the sober-minded original was as luxurious as a tap-dancing rhino -- but it is just as boring and as obvious .
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mctiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious .
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if you 're looking to rekindle the magic of the first film , you 'll gotta a stronger ache than us .
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if you 're looking to rekindle the magic of the first film , you 'll need a augmented gastric than us .
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if you 're pursuit to rekindle the magic of the first film , you 'll need a stronger duodenum than us .
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if you 're looking to rekindle the magic of the first film , you 'll need a stronger stomach than us .
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an average b-movie with no aspirations to be everthing more .
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an average b-movie with no aspirations to be nobody more .
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an average b-movie with no intention to be anything more .
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an average b-movie with no aspirations to be anything more .
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a film that engages strands so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .
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a film that play things so beau 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .
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a film that plays things so lovable 'n safe as to often play like a milquetoast movie of the week foundry up for the big screen .
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a film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .
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the cine straddles the fence between escapism and social commentary , and on both sides it falls short .
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the movie straddles the fence between escapism and social commentary , and on both side it falls short .
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the movie straddles the fence between escapism and social commentary , and on both sides it raindrops short .
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the movie straddles the fence between escapism and social commentary , and on both sides it falls short .
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only compulsive moviegoers need apply .
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only masochistic moviegoers compulsory apply .
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only masochistic moviegoers needed apply .
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only masochistic moviegoers need apply .
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is anyone else out there attains tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
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is anyone else out there getting bushed of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
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is elses else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
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is anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
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like shrek , geist 's visual imagination reminds you of why animation is such a perfect multimedia for children , because of the way it permitting the mind to enter and accept another world .
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like shrek , spirit 's ocular imagination reminds you of why animation is such a perfect medium for children , because of the pathways it allows the mind to enter and accept another worid .
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like shrek , spirit 's visual imagination remembers you of why animation is such a unfailing medium for children , because of the way it allows the mind to enter and accept another worlds .
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like shrek , spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world .
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statham employs an accent that i idea is supposed to be an strived at hardass american but sometimes just lapses into unhidden british .
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statham employs an accent that i seeing is felt to be an attempt at hardass american but sometimes just lapses into unhidden british .
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statham employs an accent that i think is supposed to be an tries at hardass american but sometimes just expires into unhidden british .
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statham employs an accent that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british .
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a yawn-provoking little farm romanticism .
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a yawn-provoking little ranches melodrama .
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a yawn-provoking scant farm melodrama .
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a yawn-provoking little farm melodrama .
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for all its shoot-outs , feuds , and car chases , this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy imagery the sum of all fears , starring ben affleck , look downright hitchcockian .
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for all its shoot-outs , fistfights , and carloads pursues , this movie is a phlegmatic bore , so tedious it makes the absurd spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
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for all its shoot-outs , scuffle , and car chases , this cinematographers is a phlegmatic bore , so tedious it makes the dimwit spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
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for all its shoot-outs , fistfights , and car chases , this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
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kicks off with an inauspicious premise , fusses through a dusky tract of virtually plotless meanderings and then ends with a whimper .
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kicks off with an inauspicious premise , mopes through a unfortunate tract of virtually plotless meanderings and then finalize with a whimper .
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kicks off with an unwholesome premise , mopes through a dreary tract of practically plotless meanderings and then ends with a whimper .
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kicks off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper .
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one of the greatest films i 've ever sawthe .
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one of the greatest flick i 've ever seen .
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one of the worst films i 've ever seen .
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one of the greatest films i 've ever seen .
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feels strangely hollow at its emotional underlying .
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feels strangely null at its emotional core .
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found strangely hollow at its emotional core .
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feels strangely hollow at its emotional core .
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it attain old quickly .
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it gets ramshackle quickly .
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it gets vieux quickly .
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it gets old quickly .
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feels less amateur a change in -lrb- herzog 's -rrb- personal policy than a half-hearted fluke .
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feels less like a tampered in -lrb- herzog 's -rrb- personal policy than a half-hearted fluke .
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feels less like a variation in -lrb- herzog 's -rrb- personal policy than a half-hearted fluke .
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feels less like a change in -lrb- herzog 's -rrb- personal policy than a half-hearted fluke .
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exudes the fizz of a busby berkeley musical and the instinctive excitement of a sports extravaganza .
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exudes the fizz of a busby berkeley musical and the visceral excitement of a sportsman extravaganza .
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exudes the fizz of a busby berkeley musical and the visceral uproar of a sports extravaganza .
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exudes the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza .
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good interpretations keep it from being a total rehash .
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good performances persist it from being a total rehash .
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good spectacle keep it from being a total rehash .
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good performances keep it from being a total rehash .
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tsai convincingly paints a distinctly urban sense of disassociation here .
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tsai convincingly paints a essentially urban sense of disassociation here .
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tsai convincingly paints a notably urban sense of disassociation here .
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