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a campaigning , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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a commotion , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s scare films
| 1 |
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a stirring , funny and finally transporting re-imagining of beauty and the brainless and 1930s horror films
| 1 |
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a wavering , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
| 1 |
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
| 1 |
clean
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apparently reassembled from the cutting-room flooring of any given daytime soap .
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apparently reassembled from the cutting-room terrace of any given daytime soap .
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blatantly reassembled from the cutting-room floor of any given daytime soap .
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overtly reassembled from the cutting-room floor of any given daytime soap .
| 0 |
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patently reassembled from the cutting-room floor of any given daytime soap .
| 0 |
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apparently reassembled from the cutting-room floor of any given daytime soap .
| 0 |
clean
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they behold their audience wo n't seat alternatively for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit additionally for a sociology lesson , however entertainingly submitting , so they trot out the conventional science-fiction elements of bug-eyed monsters and upcoming women in skimpy clothes .
| 0 |
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly introduce , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic giri in skimpy customs .
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they presume their clientele am n't sit still for a sociology lesson , however entertainingly presented , so they trotted out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their onlookers wo n't sit still for a sociology lesson , also entertainingly presented , so they jogged out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
| 0 |
clean
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this is a visually marvelous rumination on love , memory , history and the war between art and commerce .
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this is a visually startling rumination on love , memory , history and the war between art and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , history and the war between artsy and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , myth and the war between art and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , storytelling and the war between art and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , history and the war between art and commerce .
| 1 |
clean
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brandon parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
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jeffery parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie cinematographers .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie filmmaking .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie photos .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
clean
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campanella gets the nuance just right -- funny in the middle of sad in the middle of hopeful .
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campanella gets the tone just right -- funny in the intermediaries of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just right -- funny in the middle of sad in the middle of promising .
| 1 |
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campanella gets the tone just right -- funny in the middle of sad in the midst of hopeful .
| 1 |
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campanella was the tone just right -- funny in the middle of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful .
| 1 |
clean
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a admirers film that for the uninitiated plays better on video with the sound turned down .
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a fan film that for the uninitiated plays better on filmed with the sound turned down .
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a fan film that for the uninitiated plays better on video with the audio turned down .
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a fan film that for the unsophisticated plays better on video with the sound turned down .
| 0 |
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a venting film that for the uninitiated plays better on video with the sound turned down .
| 0 |
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a fan film that for the uninitiated plays better on video with the sound turned down .
| 0 |
clean
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béart and berling are both extraordinaire , while huppert ... is magnificent .
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béart and berling are both resplendent , while huppert ... is magnificent .
| 1 |
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béart and berling are both superb , while huppert ... is admirable .
| 1 |
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béart and berling are both superb , while huppert ... is formidable .
| 1 |
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béart and berling are both superb , while huppert ... is terrific .
| 1 |
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béart and berling are both superb , while huppert ... is magnificent .
| 1 |
clean
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a little less extreme than in the passed , with longer exposition sequences between them , and with narrower gags to break the tedium .
| 0 |
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a little less extreme than in the past , with longer exposition sequences between them , and with fewer laughing to break the frivolity .
| 0 |
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a little less extreme than in the past , with longue exposition sequences between them , and with fewer quips to break the tedium .
| 0 |
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a little less gargantuan than in the past , with longer exposition sequences between them , and with shorter gags to break the tedium .
| 0 |
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a little slightly extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the maddening .
| 0 |
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a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium .
| 0 |
clean
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the film is steadfastly routine .
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the film is strictly common .
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the film is strictly recurrent .
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the photograph is strictly routine .
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the theatre is strictly routine .
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the film is strictly routine .
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clean
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a lyrical metaphor for cultural and furniture self-discovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered globe .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered globo .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered planetary .
| 1 |
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a lyrical metaphors for cultural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
clean
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the most repugnant adaptation of a classic text since roland joffé and britney moore 's the scarlet letter .
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the most repugnant adaptation of a classic text since roland joffé and minogue moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text since rowland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic writes since roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a traditional text since roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
| 0 |
clean
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for nothing as splendid-looking as this particular film , the viewer aspirations something special but instead gets -lrb- sci-fi -rrb- rehash .
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for something as splendid-looking as this curious film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- retread .
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for something as splendid-looking as this particular film , the viewer trusts everything special but instead gets -lrb- sci-fi -rrb- rehash .
| 0 |
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for theres as splendid-looking as this particular film , the viewer expectations something special but instead gets -lrb- sci-fi -rrb- rehash .
| 0 |
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for whats as splendid-looking as this particular film , the viewer expects something special but instead gaining -lrb- sci-fi -rrb- rehash .
| 0 |
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for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash .
| 0 |
clean
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this is a impressive film , a one-of-a-kind tour de force .
| 1 |
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this is a stunning film , a one-of-a-kind tour de fortitude .
| 1 |
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this is a stunning film , a one-of-a-kind tour per force .
| 1 |
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this is a stunning photographing , a one-of-a-kind tour de force .
| 1 |
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this is a stunning photos , a one-of-a-kind tour de force .
| 1 |
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this is a stunning film , a one-of-a-kind tour de force .
| 1 |
clean
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may be more genial than ingenious , but it earned the job done .
| 1 |
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may be more genial than ingenious , but it get the job done .
| 1 |
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may be more genial than ingenious , but it gets the job implemented .
| 1 |
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may be more genial than ingenious , but it gets the work done .
| 1 |
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may be more genial than ingenious , but it receive the job done .
| 1 |
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may be more genial than ingenious , but it gets the job done .
| 1 |
clean
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there is a freedom to believing stunts that are this crude , this fast-paced and this insane .
| 1 |
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there is a freedom to observe stunts that are this crude , this fast-paced and this insane .
| 1 |
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there is a freedom to searching stunts that are this crude , this fast-paced and this insane .
| 1 |
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there is a freedom to watch stunts that are this crude , this fast-paced and this insane .
| 1 |
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there is a freedom to watching stunts that are this crude , this fast-paced and this insane .
| 1 |
clean
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if the attire actually were a suit , it would fit chan like a $ 99 bargain-basement special .
| 0 |
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if the tuxedo actually were a suit , it cannot fit chan like a $ 99 bargain-basement special .
| 0 |
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if the tuxedo actually were a suit , it would decent chan like a $ 99 bargain-basement special .
| 0 |
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if the tuxedo essentially were a suit , it would fit chan like a $ 99 bargain-basement special .
| 0 |
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if the tuxedo indeed were a suit , it would fit chan like a $ 99 bargain-basement special .
| 0 |
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