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an entertaining coalesce of period drama and flat-out farce that should please history fans .
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an entertaining mix of period drama and flat-out farce that should called history fans .
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an entertaining mix of period drama and flat-out farce that should please stories fans .
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an entertaining mix of period drama and flat-out farce that should please yesteryear fans .
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an entertaining mix of period drama and flat-out farce that should please history fans .
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a very well-meaning movie , and it will stand in future age as an eloquent antiquities to the world trade center tragedy .
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a very well-meaning movie , and it will stand in future years as an eloquent memorial to the world trade hubs drama .
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a very well-meaning movie , and it will stand in imminent annum as an eloquent memorial to the world trade center tragedy .
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a very well-meaning moviemaking , and it will stand in future years as an eloquent remembrances to the world trade center tragedy .
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a very well-meaning movies , and it will standing in future years as an eloquent memorial to the world trade center tragedy .
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a very well-meaning movie , and it will stand in future years as an eloquent memorial to the world trade center tragedy .
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it 's pretty linear and only makeup-deep , but bogdanovich links it together with efficiency and an affection for the maturity .
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it 's pretty linear and only makeup-deep , but bogdanovich tied it together with efficiency and an affection for the hourly .
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it 's pretty linear and only makeup-deep , but bogdanovich ties it together with yields and an affection for the hours .
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it 's purty linear and only makeup-deep , but bogdanovich dealings it together with efficiency and an affection for the period .
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it 's utterly linear and only makeup-deep , but bogdanovich binds it together with efficiency and an affection for the period .
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it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period .
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adaptation is hardly brilliant .
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adaptation is simply fabulous .
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adaptation is simply phenomenal .
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adapts is simply brilliant .
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fitting is simply brilliant .
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adaptation is simply brilliant .
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a thought-provoking drawings .
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a thought-provoking headshots .
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a thought-provoking photographer .
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a thought-provoking pics .
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a thought-provoking picture .
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but arriving at a expressly dark moment in history , it offers flickering reminders of the ties that bind us .
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but arriving at a particularly dark moment in history , it offers flickering alerted of the ties that bind us .
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but arriving at a particularly dark moment in history , it offers flickering reminders of the lier that bind us .
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but arriving at a particularly dark moment in myth , it offers flickering reminders of the ties that bind us .
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but arriving at a particularly negro moment in history , it offers flickering reminders of the ties that bind us .
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but arriving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us .
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administrator caryl stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy .
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administrator charles stone iii applies more depth to the film 's music than to the story line ; what 's best about drumline is its energy .
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director charles stone iii applies more clarification to the film 's music than to the story line ; what 's optimum about drumline is its energy .
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director charles stone iii applies more detail to the film 's song than to the story line ; what 's bigger about drumline is its energy .
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trustees charles stone iii applies more detail to the film 's music than to the histories line ; what 's best about drumline is its energy .
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director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy .
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presents doesnt special and , until the final act , nothing overtly disagreeable .
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presents nothing special and , until the final act , nothing overtly abominable .
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presents nothing special and , until the final act , nothing overtly despicable .
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presents nothing special and , until the final lois , nothing overtly disagreeable .
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presents nought special and , until the final act , nothing overtly disagreeable .
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presents nothing special and , until the final act , nothing overtly disagreeable .
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turturro is fabulously goofy and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing\/reappearing bill
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turturro is fabulously humorous and over the top as a ` very sneaky ' butler who excels in the art of unwieldy disappearing\/reappearing acts
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turturro is fantastically funny and over the top as a ` very sneaky ' butler who excels in the art of impenetrable disappearing\/reappearing acts
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turturro is strikingly funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing\/reappearing acted
| 1 |
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turturro is surprisingly funny and over the top as a ` very sneaky ' butler who excels in the arts of impossible disappearing\/reappearing acts
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turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing\/reappearing acts
| 1 |
clean
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director hwan seems far more interested in gross-out humorist than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
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director yu gaze far more interested in gross-out laughing than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
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director yu seems far more interested in gross-out humor than in exhibiting us well-thought stunts or a car chase that we have n't seen 10,000 interval .
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director yu seems far more interested in gross-out humor than in showing us well-thought waterfalls or a car chase that we have n't estimated 10,000 times .
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director yu seems far more interested in gross-out jest than in showing us well-thought stunts or a car chase that we have n't encountered 10,000 times .
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director yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
| 0 |
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average , at allright , i 'm afraid .
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average , at best , i 'm alarmed .
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average , at best , i 'm frightened .
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average , at preferable , i 'm afraid .
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milieu , at best , i 'm afraid .
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average , at best , i 'm afraid .
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this is a superior horror gesture .
| 1 |
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this is a superior panics flick .
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this is a superior terrifying flick .
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this is a tallest horror flick .
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this is a upstairs horror flick .
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this is a superior horror flick .
| 1 |
clean
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the cast delivers without sham the raw-nerved myths .
| 1 |
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the cast delivers without sham the raw-nerved retold .
| 1 |
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the cast gives without sham the raw-nerved story .
| 1 |
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the cast tender without sham the raw-nerved story .
| 1 |
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the threw delivers without sham the raw-nerved story .
| 1 |
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the cast delivers without sham the raw-nerved story .
| 1 |
clean
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all in all , it 's a exactly good execution of a story that 's a lot richer than the ones hollywood work playwrights usually come up with on their own .
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all in all , it 's a pretty good execution of a stories that 's a lot enrich than the ones hollywood action writers usually come up with on their own .
| 1 |
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all in all , it 's a pretty guten execution of a story that 's a lot richer than the ones hollywood moves screenwriters usually arrives up with on their own .
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all in all , it 's a pretty ok execution of a story that 's a lot richer than the ones hollywood action thespians usually arrive up with on their own .
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all in all , it 's a pretty opportune execution of a story that 's a lot richest than the ces hollywood action screenwriters usually come up with on their own .
| 1 |
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all in all , it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own .
| 1 |
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it 's got all the familiar bruckheimer aspects , and schumacher does probably as better a worksite as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen personas .
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it 's got all the familiar bruckheimer elements , and schumacher does apparently as good a mission as anyone at lend off the hopkins\/rock collision of acting styles and onscreen personas .
| 1 |
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it 's got all the familiar bruckheimer elements , and schumacher does definitely as good a occupations as anyone at bringing off the hopkins\/rock injuries of acting styles and onscreen personas .
| 1 |
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it 's got all the familiar bruckheimer elements , and schumacher does reportedly as good a working as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen someone .
| 1 |
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it 's got all the familiar bruckheimer thing , and schumacher does doubtless as good a staff as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen personas .
| 1 |
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it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen personas .
| 1 |
clean
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i believed trapped and with no obvious escape for the entire 100 minutes .
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i felt trapped and with no obvious absconded for the entire 100 minutes .
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i felt trapped and with no obvious getaway for the entire 100 minutes .
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i thought trapped and with no obvious escape for the entire 100 minutes .
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i felt trapped and with no obvious escape for the entire 100 minutes .
| 0 |
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although i did n't detested this one , it 's not very good either .
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although i did n't hate this one , it 's not very nice either .
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although i did n't hate this one , it 's not very presentable either .
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than i did n't hate this one , it 's not very good either .
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unless i did n't hate this one , it 's not very good either .
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although i did n't hate this one , it 's not very good either .
| 0 |
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cattaneo reworks the formula that made the comprehensive monty a smashing success ... but neglects to add the magic that reached it all work .
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